Author: Jeremy Robinson
Started: January 13 2014
Finished February 18 2014
Amazon: Paperback | Ebook
I got Project Nemesis in October 2013 as part of Storybundle's Thriller bundle. This was one of the books that drew me to the bundle in the first place and I'm pleased to say that it didn't disappoint.
Project Nemesis is a Kaiju thriller, a love-letter to Japanese monster movies, and was perfectly timed in 2013 to quench my thirst for 'more of that kind of thing' after loving Pacific Rim during the summer blockbuster season.
Robinson writes in his acknowledgement in the front of the novel of his love of the genre, having grown up watching Saturday morning monster features. It's clear that he's done his research, thanks to a well thought out and interesting monster origin story that is supported by designs from Matt Frank, a well regarded Godzilla artist.
Jon Hudson is the lead investigator for the Department for Homeland Security's paranormal division. His job is a bit of a joke. There are no genuine paranormal activities for him to investigate and he spends much of his time chasing down dead-end Sasquatch sightings. It's one such apparent sighting that leads him to a small town in Maine. This is no ordinary sighting, however. It becomes clear fairly rapidly that more is going on than a simple Big Foot sighting. The area at the centre of the sightings is home to a high security complex guarded by a deadly Special Forces team. Hudson teams up with local sheriff Ashley Collins and the pair quickly find themselves at the epicentre of a monster attack.
Robinson's monster is named Nemesis, after the Greek Goddess of Revenge. Nemesis is an accident, the freak result of experiments in rapid organ growth gone wrong, the use of mysterious alien DNA mutating human tissue in to the monster. Starting off as a bear sized beast, the monster heads south from the site in Maine. It grows rapidly and causes destruction, death and mayhem as it reaches Portland and eventually Boston.
While Robinson's isn't the most elegantly written prose, he does piece together a fun and entertaining story. The monster's back story is appropriately over the top, but has depth and provides a little mystery. The action scenes are big, explosive blockbusters that ramp up in tension and excitement as the monster grows. There are sub-plots involving crazed Generals, Japanese soldiers and evil corporations. Robinson does well in painting a picture of the little stories going on in the monster's path before as it arrives to wreak havoc. It helps to make the world feel real and shows how different kinds of people react and fall foul of the devastation about them.
Project Nemesis is a light read and I'm sure anyone with even a minor amount of enthusiasm for classic monster movies would get a lot out of it. A sequel, Project Maigo is also available, having been published in late 2013.
ADVENTURE CASUAL
Currently reading: Joe Haldeman - The Forever War
Thursday 20 February 2014
Saturday 15 February 2014
Infinite Jest
For the last 3 months I've been reading David Foster Wallace's mammoth novel, Infinite Jest. I don't remember exactly when I first heard about the book, but I became more aware of it during the latter half of 2013 and viewed it as an interesting curiosity. It sounded like something different and challenging, perhaps along the same lines as a book like House of Leaves. I eventually picked up a copy in November.
Reading Infinite Jest was an extremely rewarding experience thanks to its incredible complexity, brilliant humour and fascinating insights and critiques of American culture and the nature of addiction.
Wallace wrote Infinite Jest in the early nineties. It's set in a near future, with the majority of the plot taking place during the late 2000's or early 2010's. There are a three key things about the future laid out in Infinite Jest that impact the plot.
The first is that the United States, Canada and Mexico have joined together to form one country. It's known as the Organization of North American Nations and is referred to as the O.N.A.N. throughout the book.
Second, in order to increase tax revenues, the O.N.A.N. allows organisations to buy the right to sponsor a calendar year. Years are no longer referred to by a number but can be named by each year's sponsor. As an example, the first of these years is The Year of the Whopper. This is known as Subsidized Time, with the majority of the main plot of the book taking place in October and November of the 8th year of Subsidized Time, Year of the Depend Adult Undergarment.
Third is the introduction of the Teleputer, referred to as a TP throughout the book. This is a TV and video cartridge viewing device that becomes ubiquitous across the O.N.A.N. as the principal delivery of entertainment and visual media. Its introduction signals the end of broadcast television, with the public instead preferring to order programming via cartridge, allowing them to create the programming schedules of their choice.
Infinite Jest's plot sprawls. It's intricately woven together across many, many strands and lots of characters. Boiling it down in to a sound bite doesn't really do it justice. It's about lots of things. The hook is that an entertainment cartridge has been discovered that is so compelling that viewers will sacrifice eating and all other bodily functions to watch it, even if it results in their death. The danger posed by this cartridge is so significant that two investigators have been tasked to find out what the video content contains. The film was directed by the recently deceased James Orin Incandenza, an auteur and founder of the Enfield Tennis Academy (ETA). The academy is the setting for much of the book and continues to be run by his wife and attended in varying capacities by his three sons; Hal, Orin and Mario. Next door to the tennis academy is a half way house for recovering alcoholics and drug addicts called Ennet House. The story follows the investigation in to the history of the cartridge and the way that the lives of the students at the ETA and Ennet House intertwine.
What I loved about Infinite Jest is that alongside pure plot driven narrative, it features detailed and fascinating critiques ranging from addiction, academy sports, filmed entertainment and consumer technology. One such critique that stands out for me is a staggering, lengthy examination of Alcoholics Anonymous, including the way it works, the interaction that members have with it and the way their relationship with it develops over the course of their recovery. Similarly, an early section in the book details how in the world of Infinite Jest, video phones took off and became wildly popular, but only for a very short time before people reverted back to regular audio phones. The section discusses in great detail the different psychologies and human nature at work when video calling, rather than audio calling, such as requiring to give full attention on video, rather than just the impression of full attention when making an audio only call.
Infinite Jest is forensically detailed allowing a deep understanding of many of the main characters to develop. Wallace develops a rhythm to each chapter that brings each character's state of mind to life at that particular moment. He returns again and again to the things that gnaw away at the characters as they try to go about their daily tasks. The narrative jumps around paragraph by paragraph, even sentence by sentence as scenes and ideas merge. At it's best, the flow between these different narratives is almost imperceptible, even completely natural, such is the quality of the prose that Wallace produced.
It's not an easy book to get started on. For a long time it reads like a collection of short stories set in a shared universe. Disparate scenes play out. They're interesting, but it's very difficult to piece them together in order to understand how they contribute to the wider plot. Slowly, eventually, things start to fall in place, I discovered I'd gained an understanding of the world of Infinite Jest and characters became fully formed and understood. By the end, it's a juggernaut as Wallace lets all the pieces fall in to place and I couldn't help but be moved by the experiences of the characters.
Reading Infinite Jest was a challenge, but thinking about how it must have been written is almost beyond comprehension. Wallace has remarkable ideas and intelligence that are shared in wonderful, varied and exciting prose. Of all this though, it's his wit that really kept me coming back for more. The world of Infinite Jest is one of absurdity and Wallace knows just when to broil his characters up in to everything his world has to offer. Take the O.N.A.N. parking laws, that state that parking is allowed on one side of a street only and that the side of the street changes each day at midnight. This law leads to one particularly frantic nightly ritual in which the resident recovering addicts at Ennet House who own cars must be rounded up by a resident counselor to move their cars to the other side of the street. Given that the residents are in various states of recovery, sleep at random intervals and have the disposition of moody teenagers, it's a recipe for farce.
It's a remarkable book, and I'm so pleased to have been in a position in my life to read it and enjoy it. Infinite Jest was David Foster Wallace's 2nd book. A 3rd was published posthumously following his death in 2008. He also wrote several short story collections and works of non-fiction.
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Thursday 2 January 2014
Books I read in 2013
It's been a great year of reading for me this year. I've loved the fantasy worlds of Earthsea and The Dark Tower. The SF concepts in Charles Stross' Accelerando and Robert Charles Wilson's Spin fired my imagination. Cory Doctorow's Little Brother was thrilling and difficult to put down, and there was plenty more in between.
Here's the full list:
Mr. Penumbra's 24-Hour Bookstore Robin Sloan (05/01/2013)
The Gunslinger (The Dark Tower, #1) Stephen King (15/01/2013)
Redshirts John Scalzi (25/01/2013)
Blue Remembered Earth Alastair Reynolds (20/02/2013)
Crooked Little Vein Warren Ellis (23/02/2013)
The Drawing of the Three (The Dark Tower, #2) Stephen King (26/02/2013)
Empire State Adam Christopher (26/03/2013)
A Single Shot Matthew F. Jones (07/04/2013)
A Wizard of Earthsea (Earthsea Cycle, #1) Ursula K. Le Guin (21/04/2013)
Railsea China MiƩville (27/04/2013)
You Austin Grossman (13/05/2013)
The Waste Lands (The Dark Tower, #3) Stephen King (29/05/2013)
Shards of Honour (Vorkosigan Saga, #1) Lois McMaster Bujold (05/06/2013)
The Shambling Guide to New York Mur Lafferty (13/06/2013)
Accelerando Charles Stross (13/07/2013)
Boneshaker Cherie Priest (26/07/2013)
Little Brother Cory Doctorow (05/08/2013)
Dune Frank Herbert (30/08/2013)
The Tombs of Atuan (Earthsea Cycle, #2) Ursula K. Le Guin (02/09/2013)
On the Road Jack Kerouac (08/09/2013)
Machine of Death: A Collection of Stories About People Who Know How They Will Die Ryan North (09/09/2013)
The Farthest Shore (Earthsea Cycle, #3) Ursula K. Le Guin (16/09/2013)
Spin Robert Charles Wilson (02/10/2013)
Tehanu (Earthsea Cycle, #4) Ursula K. Le Guin (11/10/2013)
Barrayar (Vorkosigan Saga, #7) Lois McMaster Bujold (29/10/2013)
Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100 Michio Kaku (03/11/2013)
The Last Unicorn Peter S. Beagle (09/11/2013)
The Preacher's Marsh David Niall Wilson (25/11/2013)
In December, I've been reading Infinite Jest by David Foster Wallace. One of the longest books ever written in the English language. It's a sprawling study on addiction and critique of modern culture. It'll probably keep me occupied for a good couple of months.
Later in 2014, I'm looking forward to reading On the Steel Breeze, the sequel to Blue Remembered Earth and Axis, the sequel to Spin.
As well as those, I can't wait to read Morrissey's Autobiography and S., a unique format novel from Doug Dorst, in conjunction with JJ Abrams.
Here's the full list:
Mr. Penumbra's 24-Hour Bookstore Robin Sloan (05/01/2013)
The Gunslinger (The Dark Tower, #1) Stephen King (15/01/2013)
Redshirts John Scalzi (25/01/2013)
Blue Remembered Earth Alastair Reynolds (20/02/2013)
Crooked Little Vein Warren Ellis (23/02/2013)
The Drawing of the Three (The Dark Tower, #2) Stephen King (26/02/2013)
Empire State Adam Christopher (26/03/2013)
A Single Shot Matthew F. Jones (07/04/2013)
A Wizard of Earthsea (Earthsea Cycle, #1) Ursula K. Le Guin (21/04/2013)
Railsea China MiƩville (27/04/2013)
You Austin Grossman (13/05/2013)
The Waste Lands (The Dark Tower, #3) Stephen King (29/05/2013)
Shards of Honour (Vorkosigan Saga, #1) Lois McMaster Bujold (05/06/2013)
The Shambling Guide to New York Mur Lafferty (13/06/2013)
Accelerando Charles Stross (13/07/2013)
Boneshaker Cherie Priest (26/07/2013)
Little Brother Cory Doctorow (05/08/2013)
Dune Frank Herbert (30/08/2013)
The Tombs of Atuan (Earthsea Cycle, #2) Ursula K. Le Guin (02/09/2013)
On the Road Jack Kerouac (08/09/2013)
Machine of Death: A Collection of Stories About People Who Know How They Will Die Ryan North (09/09/2013)
The Farthest Shore (Earthsea Cycle, #3) Ursula K. Le Guin (16/09/2013)
Spin Robert Charles Wilson (02/10/2013)
Tehanu (Earthsea Cycle, #4) Ursula K. Le Guin (11/10/2013)
Barrayar (Vorkosigan Saga, #7) Lois McMaster Bujold (29/10/2013)
Physics of the Future: How Science Will Shape Human Destiny and Our Daily Lives by the Year 2100 Michio Kaku (03/11/2013)
The Last Unicorn Peter S. Beagle (09/11/2013)
The Preacher's Marsh David Niall Wilson (25/11/2013)
In December, I've been reading Infinite Jest by David Foster Wallace. One of the longest books ever written in the English language. It's a sprawling study on addiction and critique of modern culture. It'll probably keep me occupied for a good couple of months.
Later in 2014, I'm looking forward to reading On the Steel Breeze, the sequel to Blue Remembered Earth and Axis, the sequel to Spin.
As well as those, I can't wait to read Morrissey's Autobiography and S., a unique format novel from Doug Dorst, in conjunction with JJ Abrams.
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